Louise and Mark in the backseat, as we drive around Dover, MA! We weren't sure what to expect, and there was a pickax in the front seat...
Mark and Jordan review the photos, and figure out what to change.
After commandeering someone's driveway (and someone else's farm), Jordan shoots Mark while he jumps off of a fence, carrying the aforementioned pickax!
While I got to drive the getaway car and watch Jordan's creative process merge with the dancers' talents, below are Mark and Louise's experience from their own points-of-view. Even better... we are thrilled to present the final images- Luminarium's small portion of the Dancers Among Us Project.
After having tagged along for Mark’s photo shoot the day before, where I witnessed the semi-dangerous, repeated act of Mark jumping off the side of fence, in the rain, with a pickax in one hand with the other hand in his pocket, I didn't really know what to expect for my photo shoot with Jordan Matter. But Mark’s photo had turned out excellently so I was eager for my turn. We weren't sure if it was even going to happen, seeing as it was yet another rainy day, but ultimately I wanted to take the chance because it was Jordan’s last day in the Boston area. He seemed like a pretty spontaneous person, giving just a moment’s notice and ready to go for it even if it was a long shot. So I too decided to take a gamble on the rain. He had two shots in mind: one in front of a beautiful farm and one...
in this huge, picturesque old tree. We went to the farm first, and we were lucky that the rain had finally stopped. As I offered a red apple in the palm of my hand to a field of disinterested cows and calves, I had to pick a pose that I could hold for quite a while since the goal was to catch the eye of just one of the many grazers. I chose to stand in arabesque and had to do so over and over, moving from one cow to the next, to see who would participate. As we moved up and down the fence some of them completely ignored me, while others became a little uneasy and walked away. Twice, Jordan wondered aloud what would happen if I were to jump the fence and get right in there among them all. I nervously pondered this idea with him, trying to sound accommodating while secretly hoping that it wouldn’t actually come to that, as I wasn’t sure what reaction I’d receive from the mothers if I startled their young ones.
I thought that Jordan had time for only one shot, but he all of a sudden decided to go back to this tree that he was initially quite eager to photograph. The massive tree stood in the yard in front of a grand, white house. Jordan rang the doorbell to ask the owners permission, which was immediately granted by the husband of the president of Wellesley College. As I reclined on the long, windy and damp branch, I tried to look relaxed in order to assume a daydreaming appearance. Maintaining balance while also extending my leg into the air was not the easiest task on this bumpy tree limb. Once we aligned everything we’d discussed, as there was always a verbal dialogue during takes, and he’d captured what he wanted, he helped me down out of the tree and I bundled up in some warmer clothing before hopping back in the car. Once we were all done, we realized how lucky we were to have that rain-free pocket of one and a half hours, ending up with two photographs when we’d had previous uncertainty of even attaining one at all. Jordan also explained to me that these were actually perfect shooting conditions in terms of lighting: not sunny, but a nice white, even light from the sky covered in clouds. Also the colors, predominantly the green scenery, were vibrant and made my white dress stand out because of just being touched by the rain. I left feeling wiped out from this tiring yet exciting photo shoot, but feeling at the same time thoroughly content and privileged that I was able to have the opportunity to work with the great visionary photographer, Jordan Matter.